So many of you have been asking for tutorials on Photoshop, especially for digital techniques for photos, so today’s episode is one version of a technique I use all the time.

This one is for Premium Subscribers. You can learn more about the Premium Subscription by visiting the Membership Information Page.

Since so many of you like to watch the recorded videos of Paperclipping Live, I decided to embed them right into the Paperclipping blog so you don’t have to go hunting for them.

Here is last night’s show, where we used a previous scrapbook page that was great for using scraps as a template for a new one.

Today we have an awesome video for the Premium Subscribers. In this tutorial I take inspiration from a very old layout, but make key changes on my new one using my understanding of design.

Make sure you stick around for the outtakes at the end of the video!

If you want to learn more about the premium membership so you can have access to all of the videos, click here.

Paperclipping 50 - Puffy Paint from izzyvideo on Vimeo.
I hope you enjoy today’s free episode of Paperclipping where I demonstrate a fun product with a few tips.

As usual, there is a high-quality version available, which is worth the little bit of download time. I also included show notes for this episode.

Spin & Be Merry
Two-page 12×12 Layout

Below are two sets of instructions for layering embellishments the way they are on the layout above. You don’t need to have the same products. Look through your own stash to find items with similar characteristics. If you don’t have a lot of embellishments, look for designs you can cut out of patterned paper.

Top Left Cluster

I used this pair of birds on a branch as a way to pull attention to my focal point photo.

1. Nestle the bird duo with a word that supports the layouts’ story.
2. Highlight the word with a circular embellishment.
3. Apply foam dots to the back of your bird embellishment to raise it on the page.
4. Place the entire set on top of an area of patterned paper that you’ve lined with a ribbon (like rik-rak).

Lower Right Cluster

I cut this trio of flowers from the K.I. Memory Lace Cardstock.

1. Highlight your “bouquet” with half of a circular shape, like this screen-printed transparency by Hambly.
2. Add three-dimensional buds to your flowers with brads or epoxy stickers.
3. You can extend the plant-life on your page by adding a subtle transparent grouping of leaves. Mine are a soft orange and come from My Mind’s Eye.

When layering embellishments, start with a focal point piece, like the birds or the flowers. This doesn’t mean the embellishment will be the focal point of the page–just the focal point of that cluster. Find smaller pieces like words or buttons to gather around the focal point, and a shape, such as a circle, to act as a frame.

Summer break is a great time to look back through your school-related photos from the previous year so you can scrap them before next year’s school events muddle your memory.

Scrapbooking A Child’s School Project

Journaling to Aiden reads: Today you brought home a dinosaur egg from school. Really, it was a rock in plaster. But not your your mind. For you this was the real thing and you were ecstatic.

You came at this egg very seriously, asking me for tools. I set you up with a screwdriver and hammer. You worked on it forever. So serious about it. My favorite part was the look of sheer unbelief when you first revealed the rock–ahem–dinosaur egg. A favorite day. For both of us.

The canvas:
For this page I used Photoshop to crop most of my photos into 2-inch squares. After print them, I arranged them in a stream, or a long canvas of their own. I love the story-telling quality of the linear progression: 1) Happy Aiden with his tools; 2) Broken pieces of plaster as he pounds with his hammer; 3) A surprised look as he makes his first break-through; 4) More pounding; 5) A look of amazement at his totally exposed egg.

Scrapbooking A Page From College

Journaling reads: It cracked me up to find that both Brandon and Nicole had fallen asleep while they were studying. Is that Gina and I making fun of them later in a sleeping dog pile???

My favorite way to place multiple items on a page (in this case, three photos and a comic strip) is to create their own square-shaped canvas, filling any gaps with patterned paper or journaling boxes. These spaces are a fun place to gather embellishments that support the story. For this story, I chose stickers with words that say:

* Due Date * To Do List * Little By Little the Time Goes By * Friends * Memories *

Note: Because I didn’t write down my roommate-story right away, I am no longer sure of the details. If that happens to you, don’t let that keep you from telling what you think happened. Share a detail as a question if you’re really not sure.

Whether you tell your story as a progression with a photo stream, or in the pockets of a mosaic square, creating a canvas within the canvas of your layout is a fun and interesting way to tell a tale.

Are you interested in using more acrylic and transparent products? Have you been curious to try an entire transparent mini-book but felt intimidated? This video for Premium Subscribers will give you some tips and tricks for dealing with all of those transparent issues.

If you’d like to learn more about the premium membership so you can have access to all of the videos, click here.

I wanted to answer some questions from Toni about this layout from Episode 46.

Questions

Is the subtle hue on the paper (visible in the top right quarter) painted on, or was it already present in the paper pattern? The hue change was already present on the paper. It is made by Daisy Bucket and is from their Garden Gate collection. It’s the backside of the red patterned paper called, Summer Sweet.

How long did it take you to plan, layout and complete this page? I am a slow scrapbooker (I force myself to work faster on Paperclipping Live, but I really prefer to take my time, enjoy the moment, and allow my brain to wander and think about things) but this was a very fast layout for me. One of my easier ones. I completed it in three different short sittings. As for time, my best guess is maybe 5 minutes; 45 minutes, and 30 minutes.

My Process

Making the grid: I first laid my photos on the Basic Grey mat (this took me 5 minutes at the most), then put it away for a week while I worked on other projects. When I pulled my mat out again, I quickly saw that there was one spot that looked predictable because it formed a sort of checkerboard formation (if you don’t know me yet, I don’t like my art to be predictable–something I discovered as a child when I used to choreograph my own dances for fun) so I moved two of the photos and then I was happy with it.

Transferring the photos to my paper and adhering it was the longest part of putting this layout together, but was so easy because of having had the photos on the mat first. I used a ruler, not to measure, but to make sure the photos were straight. As I transferred each photo to my paper, I sanded the edges.

Adding the details: Next, I knew I wanted to add a happy color so I grabbed a scrap of orange patterned paper (Basic Grey), cut two squares, and placed them fairly randomly. I also felt I needed some circles for variety and found two different circle stamps and a piece of Scenic Route chipboard and put them in a triangular formation.

As I was looking around my room at my stuff I noticed my acrylic letters and pulled out the “a.” It was perfect for adding something into the bottom left corner because it added some detail down there without making that corner too heavy–I wanted the most weight to be at the bottom right corner.

At this point it was all about balancing my color by adding second and third points of a visual triangle for each color. I knew I wanted my title in the empty rectangular space and green would finish one triangle. Adding a swipe of orange paint underneath the title would help it to stand out and complete the triangle of orange. I ran out of green letters so I was happy to add yet another color to my palette (red), and then found two red buttons to balance it. I continued this until it had a nice balance of color and empty spaces to filled spaces.

A magnetic mat is not necessary.

I do recommend you use a grid of some kind because it makes it so easy, but you don’t need a magnetic one. I used the magnets on the video because my mat was upright for you to see. When I did this with my actual photos, though, I didn’t use the magnets, even while I was storing it away for a week.

* * *

Self-Expression
12×12 layout

Products: Adhesive (Diamond Glaze, Creative Memories Tape Runner, Foam 3-D Dots by EK Success); Patterned paper (Daisy Bucket, Basic Grey, My Mind’s Eye-for circle stamp, K.I. Memories lace paper); Chipboard letters (Heidi Swapp, Making Memories); Stamps (7 Gypsies, Catslife Press); Ink (7 Gypsies, Stazon); Acrylic letter (Heidi Swapp); Chipboard (Scenic Route); Brads (Making Memories); Buttons (Creative Cafe); Sticker (7 Gypsies); Rub-on letters (for Mama–Heidi Swapp); Ribbon (We R Memory Keepers); Flower Charm Buckle (from own stash).

Paperclipping 46 - Invisible Grids from izzyvideo on Vimeo.

I think you’re going to love today’s episode. In it I share a layout idea with a tip on how to make it easy to put together, as well as design concepts so you can make it your own.

Click here for the high-quality version. Show notes are also available.

A lot of you said after reading Part 1 that you feel better about yourselves having seen my first pages. I was a late bloomer. And just so you know, many of the layouts I’ll be showing you in in this post were the best of their time, or layouts that mark a next-step for me.

Getting It Done Layouts

The next phase of my scrapbooking was a long stagnation. I was busier with a second child and it seems a lot of what I did was an effort to just get it done. Because I didn’t have many supplies I was spending more time hand-writing and hand-cutting designs or letters and most of my pages look like the one above but with even less to them. They were 2-page layouts with lots of photos spread around.

Having a second child spurred me toward more journaling. With two young children developing quickly I realized I had to get those memories recorded. Now you see more stories and pictures on each page, but less decorating.

Time wasn’t the only factor, though. We moved into a house much farther away from the local scrapbook store, we no longer had extra money to spend, and for a long while we shared one car, which Israel took to work. There were a number of years when I was using only leftovers and was missing out on all the changing and development that I would have seen in the stores and magazines if had looked.

Maybe this is why I began to have some moments of rebellion, when I decided to use some of the actual pieces of our lives in place of acid-free industry products…

I love this page, even if I would lay it out differently now and add more colors. Seeing these Einstein images reminds me of a great time when we were going to Einstein Bagels every Sunday morning and then off to the Scottsdale Civic Center to visit the library, read books on the grass, and play by the fountains.

Experimenting With Lumpy Products

One year I got some birthday money and decided to spend it all on scrapbooking products at two of our local stores. Not having been in a scrapbook store in a while, I remember being shocked that the industry had undergone a huge change while I was gone.

I didn’t dare spend my birthday money on magazines so I was ignorant about who initiated the changes and what other people were doing with these new products. And still had no clue about design concepts.

You can see that with after that shopping trip I was back to experimenting with design, colors, and products again, but I had a distinct feeling of dissatisfaction at this time. I wondered if my products were a distraction to the pictures. Understanding design principles would have really helped me.

Learning Through Trial And Error

This surge of new products inspired me to spend more time on my layouts again and I can see where this new attention to details helped me improve my design instinctively. Notice the new use of lines in the last three layouts, including the anchoring line I added to the bottom row of photos in this Thanksgiving layout. They’re still not great but I was learning from my experiences. It’s interesting to see the that I was starting to get an idea of some design elements, even if I didn’t fully get it or know that’s what I was doing.

Scapbooking more sophisticated topics also allowed me to play more with the types of products and colors I like (as opposed to child-themed ones). I can’t help giggling at my tiny dolphins compared to the giant shells and the glue dots visible through the velum. What I do like is that I was starting to find and identify colors I love.

My CM Phase

Most scrapbookers say they started out with Creative Memories and then moved away from it. I didn’t touch CM until I’d already been scrapbooking for six or seven years. I met a consultant who had a fireball personality and she inspired me to start journaling a lot more. For a short time I stopped buying other industry products and purchased mainly from CM.

While I have a lot pages with the older CM look (solid white background with triangles in the corner and from the sides), I usually tried hard for an aesthetically pleasing look. While working on the layout above about Aiden, I distinctly remember my excitement of discovering compartmentalized spaces, using lines, eye direction, and carrying a circular theme from one side to the other.

How Making Cards Made Me Aware of Myself

I also started making cards with my friends using Stampin’ Up products. I wanted to send a homemade card to a friend from high school but none of the cards I’d been making were really me. I couldn’t get myself to send any of them to her. That’s when I first became aware that I was rarely scrapbooking in a way that really reflected me. I wondered if that even was possible. I think you can see that new thought reflected in the last layout and the next few below.

I had so much fun mixing these unlikely pattens together (three different sizes of squares from punched scraps)–something I continue to love doing today.

These muted colors and patterns were so me back then, and still are now.

It was around this time in 2005 that Israel asked me to do something which led to the next big jump in my journey toward personal style. Stay tuned…(But go ahead and leave your observations by commenting).